Natalicio lima biography samples for kids

his pair of brothers, members of the Tabajara tribe of northern Brazil, were one of the most unlikely successes of the space age pop era. Nearly 20 years after they first began recording professionally and in the midst of the twist craze, they had a Top 10 pop hit with their cover of "Maria Elena," a Mexican folk tune first popularized in the U.S.

by Jimmy Dorsey.

RCA and their promoters have always drawn a veil of mystery around Los Indios Tabajaras, so it's tough to trace their early years accurately.

Natalicio lima biography samples The group name refers to the Tabajara, indigenous people who lived on the easternmost portion of the Atlantic coast of northeast Brazil in the period before and during Portuguese colonization, in the 16th century. They found success in Rio de Janeiro, performing as Natalicio and Antenor Lima and dressing in ceremonial Indian costumes. Using classical guitars and playing transcriptions of classical violin and piano works, they were soon playing all over South America. In the early s, they took a break from performing and went back to study the guitar. It spent 14 weeks on the Hot in the fall of , four of which were in the top 10 in November , reaching number 6 and had similar success in the United Kingdom.

Their literature claimed they discovered a guitar in the jungle near Ceara, Brazil, and, after making sure it wasn't going to explode like other firearms their tribesmen had found, began to examine it. Eventually, they both mastered the instrument and came to the attention of townspeople, one of whom took them to Rio de Janeiro to play.

Dressing up in ceremonial Indian costumes, the brothers perfected a nightclub act in which they sang and played Brazilian and Latin folk songs.

They changed their names to Natalicio and Antenor Lima and began touring throughout South America.

Natalicio lima biography samples pdf T his pair of brothers, members of the Tabajara tribe of northern Brazil, were one of the most unlikely successes of the space age pop era. Nearly 20 years after they first began recording professionally and in the midst of the twist craze, they had a Top 10 pop hit with their cover of "Maria Elena," a Mexican folk tune first popularized in the U. RCA and their promoters have always drawn a veil of mystery around Los Indios Tabajaras, so it's tough to trace their early years accurately. Their literature claimed they discovered a guitar in the jungle near Ceara, Brazil, and, after making sure it wasn't going to explode like other firearms their tribesmen had found, began to examine it. Eventually, they both mastered the instrument and came to the attention of townspeople, one of whom took them to Rio de Janeiro to play.

In , RCA's Latin American arm signed them to a contract, but it wasn't until the late s that they were released in the U.S., and their first album was on a minor label, Vox, rather than RCA.

In the early s, they took a break from touring and returned to study, each with a different teacher. Natalicio focused on melody and Antenor worked on harmony.

They also added a substantial classical repertoire to their act, including guitar pieces by Bach, Falla, and Albeniz.

Another tour followed, this time to Europe as well, and they recorded several more albums for RCA in Mexico. One of their singles, "Maria Elena," released in , became a steady seller, and by early , its success caught the eye of RCA's U.S.

division. They issued the tune, and this lovely, gentle melody quickly carved a solid niche in the U.S. pop charts. It ended up spending 14 weeks in the U.S. Top 10 and 17 weeks in the U.K. charts, and the subsequent album placed in the Top 10 album chart as well.

Biography template Los Indios Tabajaras was a guitar duo that gained worldwide fame in the s and s for their virtuosic guitar playing and unique sound. The Tabajara people were known for their musical culture, and the brothers were inspired by their rhythms and melodies. Antenor and Nato began playing music at a young age, and by the s, they were already performing at local events and festivals. Their big break came when they were discovered by the American musician and producer, Chet Atkins, who was touring Brazil in the early s. Their music was characterized by intricate guitar arrangements, haunting melodies, and a distinct Brazilian flavor.

Within a year, the brothers followed with another single, "Always in My Heart," but the novelty had worn off and it barely dented the Top

Chet Atkins was particularly impressed by the brothers' guitar work, and he invited them to Nashville, where they recorded an instrumental album with Atkins and pianist Floyd Cramer, and--in one of the oddest releases of the countrypolitan era--one with singer Don Gibson ("Oh, Lonesome Me").

RCA--both the U.S. and Latin American divisions--continued to record them well into the s, and the brother's mellow guitar style proved a big influence on a new generation of guitarists such as Rick Vito.