Notre dame du haut plan

Notre-dame-du-haut by le corbusier biography architecture buildings painting Located on the top of a hill above the village of Ronchamp, it is the latest of a long history of pilgrimage chapels erected on the site. The previous structure dated from the 4 th century and was destroyed during the Second World War. The thick, curved walls — especially the buttress-shaped south wall — and the vast shell of the concrete roof give the building a massive, sculptural form. After the war, it was decided to rebuild the chapel on the same site. Warning against the decadence of the institution, reformers within the Church looked to renew its spirit by embracing modern art and architecture as representative concepts.

Chapelle Notre-Dame-du-Haut,

The chapel sits on the Bourlémont hilltop, dominating the &#;Belfort gap&#; between the Vosges and Jura mountain ranges. Like most of the neighbouring heights, the hill is wooded, except at its summit, which is relatively flat. In compromising with the horizon, Le Corbusier took into account the curtains of trees that meet the eye and the glimpses of distant prospects.

The general ground plan of the chapel was drawn in a few days: an asymmetrical plan with curved walls surmounted by a roof shaped like a crab shell.

This plan consisting of a single space, without collaterals or transept and abandoning the symbolic form of the cross, nonetheless still faces east.
The facades are independent yet echo each other. The western wall turns in on itself, at each end isolating two chapels bathed in soft light from a tower-shaped skylight.

Notre-dame-du-haut by le corbusier biography Built in , it is one of the finest examples of the architecture of Franco-Swiss architect Le Corbusier. Notre-Dame du Haut is commonly thought of as a more extreme design of Le Corbusier's late style. Although the building is small, it is powerful and complex. The chapel is the latest of chapels at the site. The previous chapel was completely destroyed during World War II.

A third chapel set into the north wall echoes the two preceding ones by framing, and thus magnifying, a secondary entrance.

To differentiate the various subspaces, Le Corbusier compromises with the light. He himself paints the windows set into in the thick south wall using a range of colours taken from the loggias of the housing units and his paintings of the fifties.
The frame, made of columns and beams of reinforced concrete supporting the roof, is embedded in the mass of the filling walls, made from stones recovered from the old church.

The plan is free, likewise the facades. Distinguishing in this way between the mass of the walls and the frame allows the architect to leave a gap between the wall and the roof, connected to the pillars by unobtrusive metal ball joints. The hull is technically designed as an airplane wing consisting of two concrete membranes 6 centimetres thick and metres apart (Modulor).

The south wall with its numerous openings is composed of a concrete frame covered with a wire mesh sprayed with gunite.

Near the chapel, Le Corbusier built two low buildings, the caretaker&#;s house and the pilgrims&#; house consisting of a restaurant and two dormitories.
The site is completed by a step pyramid dedicated to the victims of the fighting.