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Francisco de Goya

Francisco de Goya

Francisco de Goya is an innovative Spanish Romanticism painter, one of the great Spanish masters. As an artist, Goya was by temperament far removed from the classicals. In a few works he approached Classical style, but in the greater part of his work the Romantic triumphed.

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British Broadcasting Corporation Home. His father was a painter. Goya's formal artistic education began at the age of 14 when he was apprenticed to a local painter. In Goya went to Madrid and worked under another artist from Aragon, Francisco Bayeu, whose sister he married. In , Goya visited Italy.

Straightforward candor and honesty are present in all Goya's works. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists. For the bold technique of his paintings, the haunting satire of his etchings, and his belief that the artist's vision is more important than tradition, Goya is often called "the grandfather of modern art".

Francisco de Goya became one of the most influential figures in Spanish art of all time.

Francisco goya biography summary organizer pdf Goya occupies a unique position within the history of Western art, and is often cited as both an Old Master and the first truly modern artist. His art embodies Romanticism's emphasis on subjectivity, imagination, and emotion, characteristics reflected most notably in his prints and later private paintings. At the same time, Goya was an astute observer of the world around him, and his art responded directly to the tumultuous events of his day, from the liberations of the Enlightenment, to the suppressions of the Inquisition, to the horrors of war following the Napoleonic invasion. Both for its inventiveness and its political engagement, Goya's art had an enormous impact on later modern artists. Goya's influence extends to the 21 st century, as contemporary artists have also drawn inspiration from the artist's grotesque imagery and searing social commentary.

He was also extremely important in the development of modern aesthetic sensibility, a forerunner of Romanticism, both in the content of his paintings, with their in-depth exploration of reality and references to the dream world, and in his very original technique.

Life of Goya

Early Training and First Projects

Goya was born in the small Aragonese town of Fuendetodos (near Saragossa) on March 30, His father was a painter and a gilder of altarpieces, and his mother was descended from a family of minor Aragonese nobility.

Facts of Goya's childhood are scarce. He attended school in Saragossa at the Escuelas Pias.

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  • Goya's formal artistic education commenced when, at the age of 14, he was apprenticed to a local master, Jose Luzan, a competent although little-known painter in whose studio Goya spent four years.

    In the young artist went to Madrid, where he hoped to win a prize at the Academy of San Fernando (founded ). Although he did not win the desired award, he did make the acquaintance of Francisco Bayeu, an artist also from Aragon, who was working at the court in the academic manner imported to Spain by the German painter Anton Raphael Mengs.

    Bayeu (the brother of Goya's wife) was influential in forming Goya's early style and was responsible for his participation in an important commission, the fresco decoration (, ) of the Church of the Virgin in El Pilar in Saragossa.

    In Goya went to Italy for approximately one year. His activity there is relatively obscure; he spent some months in Rome and also entered a composition at the Parma Academy competition, in which he was successful.

    Returning to Spain about , Goya participated in several other fresco projects, including that for the Charterhouse of Aula Dei, near Saragossa, in , where his paintings prefigure those of his greatest fresco project, executed in the Church of San Antonio de la Florida, Madrid, in It was at this time that Goya began to do prints after paintings by Velazquez, who would remain, along with Rembrandt, his greatest source of inspiration.

    Years as Court Painter

    By Goya was working in an official capacity for King Charles III, the most enlightened Spanish monarch of the 18th century.

    Goya was appointed first court painter in His tapestry cartoons executed in the late s and early s were highly praised for their candid views of everyday Spanish life. With these cartoons Goya revolutionized the tapestry industry, which, until that time, had slavishly reproduced the Flemish genre scenes of the 17th-century painter David Teniers.

    Francisco goya biography summary organizer Francisco de Goya y Lucientes was born on March 30, , in Fuendetodos, a village in northern Spain. The family later moved to Saragossa, where Goya's father worked as a gilder. At about 14 young Goya was apprenticed to Jose Luzan, a local painter. Later he went to Italy to continue his study of art. On returning to Saragossa in , he painted frescoes for the local cathedral.

    Some of Goya's most beautiful portraits of his friends, members of the court, and the nobility date from the s. Works such as Marquesa de Pontejos (, National Gallery, Washington, D.C.) show that Goya was then painting in an elegant manner somewhat reminiscent of the style of his English contemporary Thomas Gainsborough.

    Etchings and Later Paintings

    In the winter of , while on a visit to southern Spain, Goya contracted a serious disease that left him totally deaf and marked a turning point in his career.

    A mood of pessimism entered Goya's work. Between and he drew and etched the first of his great print series Los caprichos (The Caprices), which, in their satirical humor, mock the social mores and superstitions of the time.

    Later series, such as Desastres de la guerra (Disasters of War, ) and Disparates (Absurdities, ), present more caustic commentaries on the ills and follies of humanity.

    The horrors of warfare were of great concern to Goya, who observed firsthand the battles between French soldiers and Spanish citizens during the bloody years of the Napoleonic occupation of Spain.

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    In he completed Second of May, and Third of May, (both Prado). These paintings depict horrifying and dramatically brutal massacres of groups of unarmed Spanish street fighters by French soldiers. Both are painted, like so many later pictures by Goya, in thick, bold strokes of dark color punctuated by brilliant yellow and red highlights.

    Straightforward candor and honesty are also present in Goya's later portraits, such as Family of Charles IV (, Museo del Prado), in which the royal family is shown in a completely unidealized fashion, verging on caricature, as a group of strikingly homely individuals.

    Final Works

    The Black Paintings, scenes of witchcraft and other bizarre activities, are among the most outstanding works of the artist's late years.

    Executed about , these paintings are now in the Prado, Madrid. Originally painted in fresco on the walls of Goya's country house and now transferred to canvas, they attest to his progressively darkening mood, possibly aggravated by an oppressive political situation in Spain that forced him to leave for France in In Bordeaux he took up the then new art of lithography, producing a series of bullfight scenes, considered among the finest lithographs ever made.

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  • Although he returned to Madrid for a brief visit in , he died in self-imposed exile in Bordeaux two years later, on April 16, Goya left no immediate followers of consequence, but his influence was strongly felt in midth-century painting and printmaking and in 20th-century art.

    Goya completed some oil paintings and murals, about etchings and lithographs, and many hundreds of drawings.

    He was exceptionally versatile and his work expresses a very wide range of emotion. His technical freedom and originality likewise are remarkable. In his own day he was chiefly celebrated for his portraits, of which he painted more than , but his fame now rests equally on his other work.

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